EIF The Glass Menagerie Tennessee Williams

Buy your ticket for The Glass Menagerie here

The Glass Menagerie by Tennessee Williams is a modern masterpiece.

I first encountered The Glass Menagerie when I signed up to study American Literature as part of my English Literature degree at Edinburgh University. I first met director, John Tiffany when I signed up to the Traverse Women’s writing group in the nineties. There’s a sort of quiet satisfaction when areas of one’s life come together in such an unexpected, but altogether satisfactory way.

Five star reviews of this production of The Glass Menagerie by Tennessee Williams, which began life on 2nd February 2013 at the Loeb Drama Center for The American Repertory Theater, abound. I don’t award stars but I don’t argue with those assessments.

Memory is a strange thing. Take six of us witnessing an event and ask us what happened a year later. The accounts will vary. We may not even be able to agree on the result! Add family relations with their perceived inequalities to the mix, and the result will be even further from exact.

Tennessee Williams also stirs physical disability, mental instability and the pernicious effect of the Great Depression into his pot. The results are reaching boiling point when the play opens and bubble up to engulf the stove by the end.

Cherry Jones reprises her role of Amanda Wingfield and what mother in the audience hasn’t felt the frustrations she’s experiencing? Amanda is a monster of motherhood, but the reasons are compelling. Tom Wingfield her much put-upon son and financial support comes in for almost all of the flak. He is not, however, his absent father. He is a young man with his hopes and ideals shackled by duty. Laura, the daughter with a mild visible disability, which gentleman-caller, Jim, had to be reminded of, and a much greater personality disorder, is the catalyst for all that ensues. Her mother does not, or will not, take on board the issues. She does delude herself though, that Jim, the much wanted gentleman-caller, will resolve all them all for the future of her vulnerable adult daughter.

The audience sighed with satisfaction as the house went dark. It’s by no means a happy ending, but the cast and the direction brought The Glass Menagerie to life with such care, all the over-heards while leaving were of an evening that could not have been better spent.

Buy your tickets here. There are another 11 performances till run ends 21st August.



The Glass Menagerie by Tennessee Williams

I first encountered The Glass Menagerie on paper when I read it as part of my American Lit course at Edinburgh University. It’s a play to trouble and disturb but enchant from the first word spoken by Tom, our narrator and thinly disguised manifestation of Williams himself, to the last breath Laura uses to extinguish her candles.

What can be done to safeguard the future of an adult child without any skills needed to survive alone – a vulnerable adult, if you will? How can a mother protect that person? How can a loving brother escape with any hope of making a life without guilt?

It’s a play about memory and illusion and we agonise over the memories that drive the lives of Amanda, Laura and Tom. Jim comes into their desperate world and even illusion is shattered.

Exquisitely played by Irene Macdougall, Millie Turner, Robert Jack and Thomas Cotran, the play haunts our own memory long after the curtain.

Run ended.