LIMINAL TERPSICHORE: WHITESPACE

Liminal Terpsichore is an exciting new work and concept by recent graduate Rachel Lobban and four students at the Scottish School of Contemporary Dance in Dundee. It blends the costume creating artist’s work with the performers who will wear those patterns to interpret their musical score.

Lobban’s degree is in textiles and she exudes passion for theatrical design and costume in her work. Watching the designer at work creating patterns on moving bodies is such an interesting insight. How does the movement influence the artist? Or the music? Or the presence of an audience with its unspoken expectations?

Dancers Millie Daniel-Dempsey (choreographer), Maeve McGreevy, Jack Anderson and Glen McArtney were in constant movement. They brought a tristesse to their dancing which I found very touching adding to the vulnerability of their youth. Choreographing for four fit and athletic bodies in a small space is an added challenge, but Daniel-Dempsey rose to it with grace. The dancers were shown alone, together and in ensemble passages. They are, of course, lithe and supple so some almost acrobatic moves held the interest.

Rachel Lobban addressed the audience at two points and, if one might make a tiny criticism, needs to overcome her shyness. We, the audience, are with you so tell us confidently what we’re going to experience.

Excellent cupcakes included in the price were by Emma at Story cakes.

Run ended.

Edinburgh Fringe and Festival 2012

TOE DIPPING TIME

Don’t you just love eating standing up – waiting for a bus that’s already late/lost/re-directed – finding box offices – finding venues – queuing in the rain?

It’s August. It’s Edinburgh.

First up was Ronan O’Donnell’s ANGELS starring, indeed he’s the only cast,             Iain Robertson at Traverse 2

Wonderful performance from Iain playing the wrongly accused security guard who writes porn in the library, the DI who sees the porn as corroborating evidence (of murder?), the Brief, the Irish ma, the drug addict shop-lifter and Scarlett Johanson. All on a bare stage with music and lighting changes.

The story is told by the accused acting it out. I wanted a little more of why the shop-lifter was obsessed with the guard and a little less stereotyping of the DI and Brief.

Powerful work. Worth your time.

 

Next I saw BLINK by Phil Porter, a two hander. Harry McEntire and Rosie Wyatt gave lovely performances of two very strange young persons.

Again the cast were called upon to act several other characters and move the props and furniture around the stage. Not bare this time, but rather oddly provided with two office desks, two cardboard boxes and a lawn.

A thoughtful piece that lingers…

 

Hi-Kick at the Main Hall, Assembly Hall was a play/dance/match for three generations. Performed by Seol and Company and choreographed by Lee Lanyoung, the high energy performance showed off breath taking football and acrobatic skills as well as wonderful dancing.

There’s a plot of sorts and audience participation – Dads beware – or at least brush up your keepie-uppie skills before going.

Great fun.