Summer Season Treats – Pitlochry Festival Theatre

 

All you need to know...

All you need to know…

Leaving Edinburgh for an overnight stay in Pitlochry is always an activity full of excitement and joyful anticipation. The stationary traffic around Perth’s huge roundabouts throws a dash of cold water over that. We got through eventually and arrived at our B&B, the delightful Derrybeg – hosts Ryan and Bea – in time to change.

First up this time was dinner in the wonderful theatre restaurant. I love it. The food is imaginative, well cooked and nicely presented, but the real attraction is the fantastic outlook over the Tummel and the canopy where you can watch the gulls wheeling in and out. Not quite the toucans of Costa Rica, but possibly more skilled aeronautics.

TRAVESTIES by Tom Stoppard, directed by Richard Baron

Mark Elstob could also be seen from the restaurant going over some of his lines. No wonder as the play is hugely demanding of its main character, Henry Carr. I thought Elstob captured the aged Carr reminiscing and the man in his prime seduced by performance beautifully. It helps audience understanding to have some familiarity with The Importance of Being Earnest which Stoppard used as the framework, but the play exists in its own merit, too.

CHICAGO by Fred Ebb, Bob Fosse and John Kander, directed by Richard Baron

Who doesn’t think they know everything they need to know about Chicago, Roxie Hart and Velma Kelly? There might be opportunity for you to reconsider. Baron’s fast-paced production, with the musicians on-stage throughout, is a searing indictment of how sensationalism skews justice, perception and truth. The theatre was sold out for the matinée and sitting with my book in the shade, I saw coaches leave for Dundee, Laurencekirk & Forfar.

QUALITY STREET by JM BARRIE, directed by Liz Carruthers

Anything by JM Barrie is close to my heart and Quality Street in particular as it’s the last play I ever appeared in. Following our wonderful production of Arms and the Man by Shaw, we in 6th year at West Calder High School were very keen to repeat the triumph. However, the poor head of English, the late Doctor Lillian MacQueen, was a lot less keen. Eventually, she agreed to a curtain raiser of the first scene of Quality Street. I played Miss Susan. I have no idea who else was in the cast, so if you know please leave a comment.

Pitlochry did not disappoint and it was the perfect farewell after the hectic Travesties and Chicago. The clever round set was a delight and the ladies used it well, entering and leaving with just the right amount of fluttering. As always, Barrie’s understanding of the vicissitudes of life as a woman are laid bare, but with humour and a wry glance at what might have been. His mastery does not pall.

All runs continue and you can buy your tickets here

CHICAGO

Theatre in Chicago comes in all sorts of packages. I saw two excellent plays, Good People and Wrong Mountain, while there in September ’12.

Chicago is of course home to the world renowned Steppenwolfe Theatre and it was a joy to discover the theatre and a selection of good eateries, one stop along the Red L from where I was staying. Steppenwolfe were showing GOOD PEOPLE by David Lindsay-Abaire, starring Mariann Mayberry.

Good People is about the struggle to get out of the swamp. Missed opportunities, wrong choices – no choices, racism, other prejudices and Charity. But the greatest of these is Charity.

Well – is it? Mariann’s character, Margaret, seems to attract the vengeance of the Gods for no reason other than a lack of ultimate honesty. She needs to see folk as they are and not as they would be if they weren’t. Muddled? You bet.

The dialogue was sharp, the twists in the plot not always predictable and the acting spot on. I didn’t see the resolution to Margaret’s immediate problem – imminent homelessness – until the start of the final scene. I may never trust a doctor again.

Wrong Mountain on at Chicago’s tiny Second Stage – just a bus ride along, is by David Hirson and had a cast of 14. Sadly there were only 10 of us in the audience.

The strong cast led by Richard Sandoval as the second string poet who once met a great poet and Douglas Vickers as the second string actor who did work with a great actor, carried on regardless giving us a roller-coaster performance of this thought-provoking and occasionally very funny play.

Are you climbing the wrong mountain? is the premise at the play’s heart. It’s a good question for everyone who ever thought that to be good, literature has to be obscure: that the Times reader is less worthy (and better informed?) than the person with the tabloid tucked under their arm: that there isn’t a Romeo in the breast of the fifty year-old: that there isn’t quality in the work of the beginner.

Although, Henry Dennet, the misguided poet, comes to realise his own wrong mountain, Hirson uses another character, Guy Halperin a successful popular playwright, to demonstrate the despair of failed ambition. Halperin has spent years achieving production of his work and then popularity, but Dennet does it accidentally while trying not to.

Second Stage is housed in a theatre which might be constructed out of a former retail space or restaurant. It’s another shop-front in a row of shop-fronts. They operate as theatre-in-the-round and I couldn’t work out how the cast got from front to back.

Theatre in Chicago was a great experience with one caveat. Why do American actors shout so much? It took my Scottish ears a few minutes to absorb the volume and sort the words out from the noise.