Pitlochry Festival Theatre’s 2016 season opened for us with the towering production of CAROUSEL. Musicals often have a dark underbelly camouflaged by sparkling songs, energetic dances and a sharp book. CAROUSEL scores on all levels.
Ferenc Molnar was Hungarian and he wrote the original play, Liliom. According to the programme notes he had already turned down approaches from Puccini and Kurt Weill before agreeing to let Rodgers and Hammerstein have the right to adapt and set it in America.
The Pitlochry production opens with a dance routine and the setting up of the carousel where Billy Bigelow is the barker. Apparently having a young and attractive male barker was the key to running a successful carousel as it drew in the girls. Of course being young and attractive can go to a guy’s head and it’s not long before the conflicted Billy is breaking hearts and breaking his own ties with a job and his self-esteem.
George Arvidson delivers a memorable performance as Billy shining as both actor and singer. He’s from Denver and has already been heard as Count Almaviva in the Marriage of Figaro. He’s well supported by the ensemble cast.
The techies and stage designers have had a great time with this production and bring some wonderfully humorous touches to it just when the audience might be feeling the emotional strain of the domestic violence theme. I won’t spoil that because you’ll want to be surprised in your turn.
Our performance was a sell-out.
Run in repertory with matinées at 2pm and evening performances at 8pm until Saturday 15th October 2016.
tickets here Pitlochry Festival Theatre
Anne Stenhouse’s historical romance is here