EIF 2016 – Measure For Measure

Ruling Heads, Naples

Ruling Heads, Naples


MEASURE FOR MEASURE  presented by Cheek by Jowl and the Pushkin Theatre is a masterly production of a seriously unpleasant play. Why choose this one?

The excellent programme notes provided in part by Cheek by Jowl, in part by James Shapiro and finally Peter Kirwan are full and informative. The play, Measure For Measure, is reckoned to be Shakespeare‘s first Jacobean one, but the text used today is also thought to have been updated by Thomas Middleton. Shakespeare’s play may well have been set in Italy, Ferrara, but the one we now see performed is in Vienna.

James 6th and 1st was obsessed with how his subjects thought and what they did. The Duke, in M for M is likewise interested in how nobly his subjects would behave without his guiding hand. So off he goes, but not far. Disguised as a friar, he lurks in the dark corners of the big city and is soon hearing people’s confessions as they await an illegitimate birth or their own execution. The play covers moral breakdown, personal and political, the over-zealous enforcement of laws and inflexible good as epitomised by the doomed man’s sister, Isabella.

It’s one of the mysteries of the play that one is unable to warm to Isabella until her final few scenes when she is left aghast by the Duke’s decision to marry her (without asking and in the face of the implacable godliness referred to above). I suppose the traditions of the time meant all available child-bearing women needed a husband and this match rounded the numbers off nicely.

Despite the handicap of the story, the production by Declan Donellan and Nick Ormerod with a cast from the Pushkin Theatre, is full of wonderful, quirky beats and an excellent staging. Short scenes and multiple exits and entrances can be an issue with Shakespearean performance, but this production answers the problem by keeping the cast on stage and revolving them as a silent chorus from which the central performers peel off. Three large red boxes provide ample cover for costume changes, although there is a moment of fleeting male nudity.

The play runs at the Lyceum Theatre until Saturday 20th when there’s also a matinée. Tickets are here

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